I get asked this question all the time, and up until now, I didn’t have a good answer. Of course I have a sampling of my work right here on my web site. But an up to date, organized digital display of all of it is nowhere to be found. However, I recently discovered a great new tool for creating a complete online archive of all the work I have available as well as that which has been sold. It’s called Artwork Archive and you can view my public page here to see just what I am talking about! [Read more…]
This weekend, I attended the opening receptions for 2 group exhibits that contain my paintings. Guide Ropes & Live Wires, the faculty exhibition at the Visual Arts Center of New Jersey, and Fire & Ice, a group exhibit at Blink Gallery in Philadelphia. At both exhibitions, I stood back and watched viewers looking at my work. I purposely stood at a distance where I could observe unobtrusively and barely hear snippets of the conversation. The thought of walking up and introducing myself crossed my mind, but in the end I opted not to, as I frequently do. Although I’m not a particularly shy person, it feels invasive to me or as if I would be putting the viewers on the spot by approaching them. [Read more…]
When it comes to exhibitions, particularly juried shows, it is wise to consider your options very carefully. There are too many shows out there to submit to them all, plus it can get very expensive when it comes to entry fees, shipping, and framing. Here are some tips on how to ensure the shows you select are right for you:
- Consider the sponsor or organizer of the exhibition. This is one of the most important aspects to consider when deciding which shows to enter. Always select shows sponsored by non-profit art organizations rather than those sponsored by commercial entities. Galleries and other commercial exhibition venues should make their money from sales, not jury fees.
- Does the exhibit typically feature work that is similar in style / approach to your own? There is no sense in applying to a juried exhibition of abstract work if you are a representational painter. Odds are, you won’t get in. Always look at the work from previous exhibitions to get an idea if a show is a good fit for you or not.
- What is the caliber of the work in the exhibit? Again, refer to past exhibition catalogs and do some research. You don’t want your work hanging with work that is not of a high caliber–stretch yourself. It’s better to apply to a show that has tough standards and get rejected than it is to only apply to shows you know you are sure to get in. Aim for exhibits that will look good on your resume and that will help to build your credentials as an artist, this is particularly important if you are just starting out professionally.
- What are the costs associated with entry? This goes beyond the entry fee and should include the fee for shipping (or the time you have to take off from work to get the painting to the show if you deliver it yourself) and the framing. I always try to enter exhibits where I know the work I put in will have a good chance of selling–not a guarantee, but a good chance.
- Do you have a piece in mind that you would be proud to exhibit if included? This is important, although it may seem obvious. So often, I hear artists say that they are going to enter something even though they don’t really have anything special. I only enter an exhibit (or offer work for sale) if I feel it is my best. You never want to show anything less than your best.
I just finished entering the painting above into the 119th Catharine Lorillard Wolfe Art Club Juried Exhibition. It is open to women artists from all over the world and is always a beautiful show. Want to give it a try? Here is a link to the CLWAC web site where you will find the prospectus. Good luck!!!
Eight is Enough: Paintings & Drawings by the Students of Anne Kullaf
Marité & Joe Robinson Strolling Gallery II
September 20, 2015 – January 17, 2016
My teaching style focuses on core concepts and encourages personal expression, creativity, and experimentation among my students. I recently challenged them to create paintings and drawings using a limited palette of only eight colors and a uniform size of 8 x 8 inches. The students represented in this exhibition were enrolled in the eight classes I taught during the Spring 2015 session—Visual Interpretation, Experimenting with Acrylics, Passion for Pastel, Paint It Your Way!, Oil Alla Prima, Fearless Drawing, Watercolor Landscape, and Art of Pastel.
By placing strategic limitations on the student artists the exhibit demonstrates that a palette of strong harmonious colors will result in a cohesive painting. Additionally, the 8 x 8 inch square format unifies the diverse range of styles and subjects presented in the exhibition. By emphasizing the importance of basic drawing and painting concepts, the work proves that an artist can say a great deal with very little.